Celva · Brand Guidelines About this book
Foreword

This is how Celva looks, sounds, and feels. In one place.

Celva is a physician-led regenerative medicine clinic in Tijuana, built for U.S. patients who want a third option between “wait and see” and surgery. The brand is clinical credibility wrapped in human warmth. Premium without being cold. Confident without being academic. Mayo Clinic crossed with a great independent magazine.

This book exists so anyone working on our behalf (a writer, a designer, a contractor, a partner agency) can stay in voice and on brand without having to ask. It is not a style guide for every decision. It is a reference for the ones that matter most: the logo, the palette, the typography, the way we talk about what we do, and the things we never say.

If you find yourself unsure between two options, pick the quieter one.

How to use it
01

Read it once.

Everyone who touches the brand should read the voice section in full. It is short, and it is the difference between sounding like Celva and sounding like a wellness clinic.

02

Reference the rest.

Use the logo, color, and type sections as lookups. The hex values, clear-space rules, and type sizes are authoritative. When in doubt, copy directly from this book.

03

Ask when stuck.

If something is not covered here (a new kind of asset, an edge case, a question of tone in a sensitive moment), ask. The contact is on the last page.

Edition 01 · 2026 02
Celva · Brand Guidelines Contents
Contents

Seven chapters. One reference.

The brand book is organized from least concrete to most concrete. It starts with how we think about Celva, moves through the way we sound, and ends at the precise hex values of our color palette. Read the chapters in order; reference any section out of order.

01 The brandWhat Celva is, who we serve, the third-option promise. 04
02 Voice & toneThe three writers in the room. Register, casing, what we never say. 07
03 LogoPrimary lockup, mark, clear space, minimum size, and misuse. 13
04 ColorNavy family, the all-blue accent system, and the discipline rule. 17
05 TypographyCormorant Garamond and DM Sans. The full scale and the pairing rule. 20
06 ImageryHow we shoot patients, what we don’t shoot, and the placeholder rule. 23
07 FoundationsSpacing, radii, shadows, buttons, pills, and cards. 24
Contents 03
Chapter 01 · The brand Essence
Brand essence

A third option, between wait and see and surgery.

Celva is a physician-led regenerative medicine clinic, regulated by COFEPRIS, operating inside Hospital Angeles in Tijuana. We deliver mesenchymal stem cell therapy to U.S. patients who have been told their two options are to wait, or to cut.

Everything we make (a homepage hero, a patient-story video, an out-of-office email) should trace back to that sentence. We are not a wellness center. We are not a stem cell mill. We are not a hospital. We are the third option. The one the orthopedist did not mention.

01

What we are

A clinic, not a clinic-academic.

Physician-led care inside a real hospital. We use the regulator's name (COFEPRIS) and the facility's full name (Hospital Angeles) on first reference because both earn trust.

02

What we sound like

Premium without being cold.

Confident without being academic. We are warm in our welcome, plain in our medicine, and unflinching in our compliance. Mayo Clinic crossed with a great independent magazine.

03

What we are not

Not your wellness brand.

No journeys, no unlocking, no revolutionary protocols, no cures. We turn down roughly one in three inquiries. That is part of how we earn the trust of the ones we say yes to.

Chapter 01 · The brand 05
Chapter 01 · The brand Audiences
Who we serve

Three doors. One standard of care.

Most patients arrive through one of three doors. Whichever one, they receive the same evaluation, the same lab, and the same physician in the room.

Audience · 01
The surgery avoider.

Chronic joint pain. An orthopedist has said replacement or repair. They want a legitimate alternative before committing to recovery.

“I want my body back. Without cutting for it.”

Audience · 02
The longevity optimizer.

Performance-oriented, proactive, already dialed-in on their health. Early wear, slower recovery, aging biology. Wants to act before a crisis.

“My body is the asset. I want to perform at the top of it.”

Audience · 03
The last-hope seeker.

Has tried everything. Neurologic, complex chronic, a surgery that did not hold. Standard care has said there is nothing more to do.

“I don’t want false hope. I want an honest read.”

Writing rule

Every piece of copy (ad, landing page, email, video script) is written to one audience. Never all three. The clearest tell of off-brand copy is a sentence that tries to speak to a surgery avoider and a longevity optimizer in the same paragraph.

Chapter 01 · The brand 06
Chapter 02 · Voice & tone The composite voice
Voice · 01

Three writers in the room.

Celva’s voice is a composite of three writers, picked for what each one does well. None of them sound like a clinic on their own. Together, they sound like Celva.

Wit · structure Mary Roach Stiff. Gulp. Bonk.

One-word puns, short-form wit, earned humor. Roach gives us the discipline of a headline that does a lot of work with very few syllables. And the nerve to be funny about a serious subject.

What she gives us Hero headlines. Section openers. The one-word pun in a CTA.
Credibility · plain language James Hamblin If Our Bodies Could Talk.

Physician credibility paired with plain, slightly dry endings. Hamblin is the voice that explains a mechanism without showing off, and lands a paragraph with a quiet sentence that earns trust.

What he gives us Body copy, FAQ answers, anything compliance-adjacent.
Analogy · alliteration Robert Sapolsky Behave. Why Zebras Don’t Get Ulcers.

Analogical reasoning and alliterative titles. Sapolsky is what we reach for when a paragraph needs scale: when we have to make a small idea about a cell feel like a big idea about a life.

What he gives us Section titles, magazine-style intros, editorial story openers.

The composite, in one sentence

Premium clinic ad copy. Professional, human, playful when it earns it, medically safe. Never cute when it shouldn’t be.

Chapter 02 · Voice & tone 08
Chapter 02 · Voice & tone Register discipline
Voice · 02

The most important voice rule in this book.

The Roach/Sapolsky register is for headlines and openers. Everywhere else, drop to plain Hamblin: no wit, no puns, no rhetorical setup. If a sentence could run in a regulator filing without edit, it is in the right register.

Wit register

Roach & Sapolsky.

Use only in: hero headlines, section openers, persona card titles, non-transactional CTA copy, editorial patient-story intros.

Plain register

Hamblin.

Use in: pricing, FAQ answers, compliance and safety language, trust strip, form labels, errors, contraindications, candidacy.

Context Wrong register Right register
Hero headline “Unlock your body’s healing potential today.” “Regeneration, carefully.”
FAQ answer “Absolutely! Every patient is a perfect candidate for our revolutionary therapy.” “We turn down roughly one in three inquiries.”
Compliance “Stem cells: the cutting-edge of tomorrow’s medicine, today.” “Autologous cell therapies of the kind we perform are regulated by COFEPRIS in Mexico.”
CTA button “Begin your wellness journey” “Book consult”
Chapter 02 · Voice & tone 09
Chapter 02 · Voice & tone Mechanics
Voice · 03

Casing, person, punctuation, length.

Casing

Sentence case is the house style.

“Book consult” not “Book Consult.” Title case for treatment names and proper nouns. Small caps (DM Sans 11–12 px, 0.15 em tracking) for eyebrows and labels.

Person

We for the clinic. You for the patient.

Never “your journey to wellness.” Never “wellness” at all. “Patient,” not “client.” Physicians named with their real title: “Dr. García,” not “our providers.”

Punctuation

The period is the house punctuation.

No em dashes. Ever. They are the punctuation of AI-written copy and of writers reaching for a rhythm they have not earned. Use a period, a colon, a comma, or parentheses instead. One-word sentences when they land. Avoid exclamation marks and the rhetorical question hero.

Length

Short, short, medium, long, short.

Paragraphs of two or three sentences. Hero headlines of two to four words. Section openers: eyebrow, one-line serif headline, one supporting paragraph. Resist the second.

Voice in practice · four examples
Hero

“Regeneration, carefully.”

Two-word, comma, period. Lets the adverb do the work.

Service

“Three careful protocols. Not a menu.”

Short, short. The pun earns its place because a real distinction follows.

Story

“The orthopedist gave me two options. Celva gave me a third one I could live with.”

Patient voice. No hype. The brand promise stated as a patient fact.

FAQ

“We turn down roughly one in three inquiries.”

Hamblin-dry credibility. The fact does the persuading.

Chapter 02 · Voice & tone 10
Chapter 02 · Voice & tone Words we use, words we don’t
Voice · 04

Words we use. Words we do not.

If you find yourself writing one of the phrases in the left column, stop. They are tells of a different brand (usually a wellness brand), and they will undo the credibility everything else in this book is trying to build.

Never. Words we don’t use.

  • cutting-edge
  • world-class
  • state-of-the-art
  • revolutionary
  • unlock your potential
  • your journey to wellness
  • wellness (in any sentence)
  • cure, cured, healed, fixed
  • FDA approved (we are not)
  • guarantee, guaranteed results
  • before/after (medical claims)
  • emoji of any kind
  • em dashes (any kind, ever)
  • the rhetorical question hero

Always. The framings we prefer.

  • experience: I felt, I noticed, I was surprised
  • process: screening, monitoring, follow-up
  • regulated by COFEPRIS
  • inside Hospital Angeles
  • cGMP-compliant laboratory
  • physician-led
  • candidacy, evaluation, fit
  • protocol (we have three; not a menu)
  • consult (the CTA outcome we offer)
  • autologous cell therapy
  • mesenchymal stem cell (MSC)
  • third option (between wait and surgery)
  • patient (never “client”)

The default-ChatGPT cadence

One specific tell: sentences that begin with “Imagine a world where…” or end with a tidy three-part list. Both are signatures of generic AI-assisted copy. If you used a model to draft, edit the cadence out before you ship.

Chapter 02 · Voice & tone 11
Chapter 02 · Voice & tone Compliance tone
Voice · 05

In compliance language, we are plain.

When the subject is safety, regulation, or candidacy, the wit register is off.

Example · the regulator disclosure
“Autologous cell therapies of the kind we perform are regulated by COFEPRIS in Mexico. In the U.S., most fall outside the FDA’s approved-product pathway. We say this clearly because we’d rather you hear it from us.”

Names the regulator. States the limit. Closes with credibility instead of a softener.

The instead-of / say table
Topic Instead of Say
Outcome “This treatment cured my back pain.” “I’m feeling so much better. I can put on my socks in the morning again.”
Diagnosis “This fixed my arthritis.” “I’ve noticed a real difference in my mobility.”
Effectiveness “It works.” “In my experience, I noticed improvements within a few weeks.”
Regulator “FDA approved” / “clinically proven” “regulated by COFEPRIS” / “in a regulated clinical setting”
Candidacy “Right for anyone with joint pain.” “We evaluate fit before recommending a protocol.”

When a patient steps over the line, redirect: “Can you tell me what you’ve personally noticed?”

Chapter 02 · Voice & tone 12
Celva · Brand Guidelines Chapter 03
Chapter Three

The logo.

The Celva mark is built from a cluster of soft, organic forms (the visual cue of cells), set against a wordmark in a custom serif. It is the most-used surface of the brand. Treat it as such.

Primary lockup · horizontal Celva horizontal logo
Mark only Celva mark
Inverted · on navy Celva horizontal white logo

Three approved configurations. The horizontal lockup is the default. The mark-only is reserved for tight surfaces (favicons, app icons, social avatars, signage at scale). The inverted horizontal is the only configuration used on navy or photography.

Chapter 03 · Logo 13
Chapter 03 · Logo Clear space & minimum size
Logo · 02

Give the logo room.

The clear space rule keeps the mark legible and the brand calm. No other element (type, image, button, edge of frame) may sit inside the clear-space boundary.

Logo clear space diagram
x
x
x
x

Clear space equals the cap height of the “C” in the wordmark (x). Maintain this margin on all four sides.

Minimum sizes.

Below these sizes, the wordmark loses fidelity. When you must go smaller than the minimum, switch to the mark only.

Horizontal lockup

28 px tall · digital

120 px wide · 0.6 in print

Mark only

16 px · digital

0.25 in print. Favicons and app icons excepted.

Maximum

No upper limit

At very large sizes (signage, full-bleed cover), use the mark only and let the wordmark live elsewhere on the surface.

On photography

The logo never sits over a busy or low-contrast image. If the imagery is dark or active, the inverted (white) lockup is placed on a darker zone of the image or on a small white pill caption card, the same pill we use for image captions. Never on a gradient overlay or a translucent scrim.

Chapter 03 · Logo 14
Chapter 03 · Logo Things never to do
Logo · 03

Six things never to do to the logo.

If a logo treatment is not pictured elsewhere in this book, assume it is not allowed. The six below are the most common temptations.

01. Do not recolor.The mark is navy. The inverted is white. No accent-blue, no off-brand color, ever.
02. Do not stretch.Keep the original proportions. No horizontal or vertical compression.
03. Do not shrink past minimum.If you need smaller than 28 px / 0.6 in, switch to the mark only.
04. Do not place on busy backgrounds.Patterns, busy photography, and gradients all reduce contrast and credibility.
05. Do not reduce opacity.The logo is either on the surface at full strength or it is not there at all.
06. Do not use against accent blue.Accent blue is for action. The logo never sits on a CTA-colored surface.
Chapter 03 · Logo 15
Celva · Brand Guidelines Chapter 04
Chapter Four

The palette.

White-first. Navy for heft. A restrained blue accent. That is the entire system. Do not introduce new hues.

Family · 01 · Navy
Ink
Primary text. Headings. The default voice of the brand on white.
#0B1D3A R 11 · G 29 · B 58
C 95 · M 86 · Y 49 · K 60
Navy Brand
The logo navy. Inverted surfaces. Section dividers. Hero cards.
#132C5B R 19 · G 44 · B 91
C 99 · M 86 · Y 35 · K 32
Ink Soft
Secondary text. Leads. Quotes and italics on white.
#1C3461 R 28 · G 52 · B 97
C 98 · M 82 · Y 31 · K 21
Ink Muted
Tertiary text. Captions. Fine print. Page chrome.
#4A6480 R 74 · G 100 · B 128
C 75 · M 56 · Y 33 · K 11
Chapter 04 · Color 17
Chapter 04 · Color Accent & discipline
Family · 02 · Accent

An all-blue accent system. One discipline.

Accent-blue means action. CTAs. Success states. The single decorative rule that introduces a section headline. If accent-blue appears in resting decoration (numerals, icons, dots, ornament), it stops meaning action, and the CTAs lose their pull.

Accent Blue
#2D6EB1
CTAs, the section accent rule, active states.
Accent Hover
#1A4B7A
Hover and pressed. The CTA after the click.
Accent Ice
#7CA9D1
Decorative on dark. Icon strokes, eyebrows, the quote flourish.
Accent Wash
#EAF1F8
Soft blue surface. Callouts. Sparingly. Never a hero background.

The accent discipline rule

Counter numerals are navy, never blue. Numerals are editorial, not actionable, and they are set in DM Sans (not the serif). Decorative icons are navy on white, ice on navy. Never accent-blue. The accent rule (the 56 px / 2 px line that introduces a headline) is the one decorative use of accent-blue allowed; it counts as a visual cue toward the CTA below it.

Accent-blue is accent only. It is never a page background. Navy is only for inverted sections. If a third accent is ever needed, derive it from the navy or accent-blue families. Do not invent.

Chapter 04 · Color 18
Chapter 04 · Color Supporting & pairings
Family · 03 · Supporting

Whites, hairlines, and one warm tint.

Beyond the navy and the accent, only four supporting tones. They handle borders, alternating surfaces, and the soft concave shape that introduces sections.

White
#FFFFFF
The default canvas. 90%+ of surface area.
Surface Tint
#F7F6F2
Warm off-white. The stat band. Service-icon squares.
Shape Slate
#F1F5F9
The concave shape divider, decorative only.
Hairline
rgba(11,29,58,0.14)
All borders. One weight. No 2 px decoratives.
Pairings

The four combinations that read on-brand. Everything else should be checked before shipping.

Default
Ink on white.
Inverted
White on navy.
Callout
Ink on wash.
Stat band
Ink on tint.
Chapter 04 · Color 19
Celva · Brand Guidelines Chapter 05
Chapter Five

The typography.

Two families. One that carries emotional weight, one that does the work. Never use one for the job of the other.

Display family
Aa Bb

Cormorant Garamond.

A contemporary cousin of Garamond. Used for every H1, H2, H3, every hero, every section opener, every numeral that needs to feel editorial. Weight 300 for the largest sizes. Light and airy.

AaLight · 300
AaRegular · 400
AaMedium · 500
AaSemibold · 600
A B C D E F G · a b c d e f g h · 1 2 3 4 5 6 7 8 9 0
Chapter 05 · Typography 20
Chapter 05 · Typography Body family
Body family

DM Sans.

Geometric, contemporary, unfussy. DM Sans handles the work of the brand: body, UI, buttons, captions, eyebrows, every numeral that is a stat rather than an editorial number. Never used for headlines.

Aa Bb
AaLight · 300
AaRegular · 400
AaMedium · 500
AaBold · 700
A B C D E F G · a b c d e f g h · 1 2 3 4 5 6 7 8 9 0

The pairing rule

Cormorant carries emotional weight. DM Sans does the work. Never use Cormorant for body or buttons. Never use DM Sans for an H1 or a pull quote. The contrast between the two is the typography of the brand.

Chapter 05 · Typography 21
Chapter 05 · Typography The scale
Type scale

A single scale. Top to bottom.

All Celva typography ladders against the scale below. The size column is the desktop ceiling; sizes fluid-clamp down on smaller surfaces.

H1 · Hero
Regeneration, carefully.
Cormorant 300
104 px · 0.98
tracking −0.02em
H2 · Section
Three careful protocols.
Cormorant 300
64 px · 1.04
tracking −0.015em
H3 · Card
Inside Hospital Angeles.
Cormorant 400
36 px · 1.12
tracking −0.01em
H4 · Utility
A working candidate.
Cormorant 500
22 px · 1.2
Lead
Physician-led MSC therapy, in a real hospital, with concierge care from San Diego.
DM Sans 400
19 px · 1.55
Body
Celva operates inside Hospital Angeles in Tijuana. Most patients arrive through one of three doors. Whichever one, they receive the same evaluation.
DM Sans 400
17 px · 1.6
Caption
Photographed inside Hospital Angeles, Tijuana, on the day of treatment.
DM Sans 400
15 px · 1.5
Eyebrow
Chapter Five · Typography
DM Sans 500
11.5 px · 0.15em
Chapter 05 · Typography 22
Celva · Brand Guidelines Chapter 06 · Imagery
Chapter Six

Cool-toned, clinical, human.

A photograph is earned. If we cannot make an image specific to Celva (a real patient, a real room, a real doctor), we use a placeholder. A navy-gradient block beats a stock shot of hands cupping a pill.

What we shoot
  • Faces. Persona cards at 45% width, 4:5 aspect.
  • Real clinical settings inside Hospital Angeles.
  • Hands: on a knee, on a chair, on a wedding ring.
  • Honest reaction shots. A pause, an exhale, a quiet smile.
  • Hospital hallway and lobby B-roll in natural light.
  • Personal objects the patient brought with them.
What we do not
  • Stock hero shots of hands cupping a pill.
  • Other patients, charts, labels, consent forms, PHI in frame.
  • Operating rooms or restricted clinical areas.
  • Before-and-after pairs. Ever.
  • Full-bleed lifestyle photography by default.
  • Grain, texture, heavy filters, or dramatic crops.
Treatment

Cool grade pulled slightly toward the Celva teal/ink palette. Navy-tinted shadows in hero photography. Captions sit in a small white-pill caption card top-left of the image. Never a dark gradient overlay across the bottom.

Patient · Mark
IV room · Hospital Angeles
3rd-floor lobby

Three placeholder gradients with the approved caption-pill treatment. Replace with real imagery as we shoot it.

Chapter 06 · Imagery 23
Celva · Brand Guidelines Chapter 07 · Foundations
Chapter Seven

Spacing, radii, the few components that matter.

An 8-point grid extended into a long rhythm. A short list of radii, mostly square. Buttons, eyebrows, credential pills, and the resting card.

Spacing scale
4 / s1
4 px
8 / s2
8 px
16 / s4
16 px
24 / s5
24 px
32 / s6
32 px
48 / s7
48 px
64 / s8
64 px
96 / s9
96 px
128 / s10
128 px
160 / s11
160 px

Section padding lives at 96–160 px vertical. Card padding lives at 24–32 px.

Radii
2 px
4 px
8 px
14 px
999
No 20+

2 / 4 / 8 / 14 / 999. The pill is reserved for credential pills only.

Component peek
Regulated by COFEPRIS cGMP-compliant lab Hospital Angeles
The resting card.

14 px radius. Hairline border. Soft navy-tinted shadow. Inner padding 22–32 px.

Chapter 07 · Foundations 24
Celva · Brand Guidelines Closing principle
In closing

When in doubt, pick the quieter one.

The brand we are building is hard to fake and easy to overplay. Patients arriving at Celva are often skeptical, often hurting, and almost always coming from someone who has already promised them more than they could deliver.

Every design decision in this book exists so that, at the moment a patient meets us (in a hero, in an ad, in a video, in a waiting-room sign), we sound like a serious clinic that takes itself seriously about design. Not a wellness landing page. Not a stem cell mill. A clinic. With doctors. Inside a hospital.

If a piece of work would not be improved by removing one more word, one more color, or one more piece of decoration: it is finished. If it would: cut it. Quiet beats clever, every time, in this brand.

A short north-star check

“Does this make a patient landing from a Google ad think they have stumbled onto Mayo Clinic, or a wellness landing page?”

If the answer is “wellness landing page,” the work is not done. Strip a layer. Try again.

Closing principle 25